Handle-It Model 600 offers all the features and functions you need at an unbeatable price! It is ideal for those who are looking to upgrade from hand wrapping their pallets and need to increase their capacity and improve wrap consistency. The 600 pallet wrapper has a photo eye to automatically sense the height of the pallet load and has multiple cycle parameters and quick select features that no other machine has at this price level.  3 Semi-Auto wrap cycles Powered Turntable and Powered Mast 3 year warranty! Performance  35 maximum average loads per day 85" maximum load size diagonal 86" maximum load height 3000lb load weight capacity Specifications Turntable speed 3-12 RPM 59" Turntable size 1/2 HP TEFC Turntable Drive Motor 110v standard plug  Machine size 93"L x 59" W x 88" H Features Electronic printed circuit board for the control of the cycle; Frequency controller for turntable speed adjustment (from 3 to 12 RPM) Frequency controller for carriage speed adjustment (speed going up and speed going down can be set differently) Adjustable Mechanical brake for film stretching and tension control  Photocell for pallet height detection  Safety stop at the base of the carriage Stop at home position  Power board IP54  2 access keys (including lock mode) Adjustable parameters by the control panel: cycle selection; bottom turns; top turns; rotation speed; carriage speed going up; carriage speed going down; photocell delay Reinforcing operation 2 working cycles: up and down; only up 3 programs can be saved by the customer  Acoustic warning at the cycle beginning and stop; Powder coating Soft start and stop turntable rotation 3 year warranty BENEFITS Photo eye automatically senses the height of the pallet.  Integrated control board makes repair and diagnosis easier and reduces machine down time Photocell Delay for film overwrap for better load containment Heavy Duty Carriage Rollers & Self Lubricating turntable bearings Multiple saved cycles and parameters Easily moved with forklifts and plugs into standard 110v wall outlets. Link to Product https://www.custommhs.com/index.php?route=product/product&product_id=33911&search=SWM For More Information Custom Equipment Company 866-333-0728 Full Website: https://www.custommhs.com

Handle-It 3000 Series Mobile Stretch Wrap Machine offers top-of-the-line functions and features at a great price. It is ideal for those who are looking for an efficient machine capable of handling high volumes of pallets per day. This machine gives you the flexibility to wrap a wide variety of pallet sizes and weights and is portable. Standard features on the model 3000 include 250% powered pre-stretch, user-friendly PLC touch screen control panel, braked carriage, and many other elements cleverly designed to make this unit a must-have in any facility looking to improve and streamline their packaging operations. Performance -Up to 200 pallets wrapped per charge -Unlimited pallet length -94" maximum load wrap height. -Unlimited load weight capacity -250% power pre-stretch film carriage for improved efficiency -2 year warranty Specifications -Drive speed 1.6 -4.4 feet per second -Two 12v AGM batteries -Touch Screen controls -20 programmable wrap cycles -Machine size 72"L x 30" W x 99" H -Requires 56" clearance around the pallet load Features -Electromagnetic brake for film stretching -Photocell for pallet height detection -Power board ip54 -Main parameters protected by password -Main parameters adjustable by the control panel: cycle selection, bottom wraps, top wraps, rotation speed, carriage speed going up, carriage speed going down, film tension, photocell delay, starting height -Acoustic warning at the cycle beginning and stop -Battery charge monitoring and warning message on the display when the battery is low -Guide wheel with quick height adjustment -Auto diagnostic with error codes, making trouble shooting easier Link to Product https://www.custommhs.com/index.php?route=product/product&path=3865_3867_3982&product_id=33918 For More Information Custom Equipment Company 866-333-0728 Full Website: https://www.custommhs.com

Handle-It 1100AC Semi-Automatic Stretch Wrap Machine offers top-of-the-line functions and features at a great price. It is ideal for those who are looking for an efficient machine capable of handling high volumes of pallets per day. -Max average loads wrapped per day 300 cycles. -300 maximum average loads per day -Wrap Height: 86" wrap height with 4'' of overwrap. -Maximum Pallet Size: 48" wide x 80" long (93" diagonal). -Turntable Height: 3" _4,400 pounds maximum load weight capacity * 250% power pre-stretch film carriage for improved efficiency  * Automatic film cut at the end of the cycle -Film Type: 20" high machine film with 3" core, 80 gauge or more -Turntable speed 3-12 RPM -Turntable Size: 59" Turntable size -110v standard plug  -Machine size 105" long x 60" wide x 97" high -Flexible controls with 6 quick select programs, 56 cycle parameters, intuitive navigation, and diagnostics. -Heavy duty frame and motors for the most demanding applications. -User-friendly integrated PLC control board -Frequency controller for carriage and/or turntable speed adjustment -Photocell for pallet height detection -Electronically controlled power pre-stretch carriage- load sensor dynamically controls the application of film for consistent film stretch. -Stop at home position -Easily adjustable parameters such as bottom wraps, top wraps, carriage ascent & descent speed, film tension, & starting wrap height -Quick selection of 6 main parameters or saved programs -USB port to upload software and download settings, reports, and statistics -6 working cycles: ascent/descent, topsheet, only ascent, only descent, layers, and stack -Storage of 32 end user programs -On-board diagnostics -3 year warranty Benefits -Rack and pinion carriage drive system increases reliability and decreases down time -Heavy duty frame construction for the most demanding jobs -Integrated PLC controls with onboard diagnostics make repairs easier to identify and reduces downtime -Belt driven power pre-stretch carriage for added reliability  -Heavy Duty carriage rollers and self lubricating turntable bearings -Automatic film cut is standard reducing labor time to remove pallets increasing material flow -Password protection and one of the widest array of wrap cycle parameters available. FAQ * How many loads per day can this model wrap?  This model is rated to wrap up to a max average of 300 loads per day. * What is the max weight and size pallet that it can wrap? You can wrap pallets up to 4400lbs and that have a max diagonal of 93" * What type of film should we use for this machine? The machine uses 20" machine film and with 250% pre-stretch we suggest 90 gauge film or thicker. * What power requirements are needed? All of our machines plug into standard 110v outlets. * Is there any setup or installation when I receive the machine? Our machines ship fully assembled, tested, and ready to use with common wrap cycles preloaded. * What type of support do you offer? We carry parts in stock for quick shipment and we have full time tech support. Link to Product https://www.custommhs.com/index.php?route=product/product&path=3865_3867_3979&product_id=33915 For More Information Custom Equipment Company 866-333-0728 Full Website: https://www.custommhs.com

Finally, Stretch Wrapping made easy! This Cousin's Automatic Stretch Wrapper is our most popular wrapper because it requires no operator and it is very cost effective.

🌟Cybernetik Technologies Process Group Equipment Portfolio is a comprehensive collection of cutting-edge industrial equipment designed to enhance process automation and efficiency across various industries. This portfolio showcases the diverse range of solutions offered by Cybernetik Technologies to meet the unique needs of their clients. The equipment portfolio includes advanced machinery and systems for food processing, microbreweries, end-of-line automation, bag palletizing, and much more. Each solution is meticulously designed and engineered to optimize production processes, improve product quality, and maximize operational productivity. ✨ 𝗝𝗢𝗜𝗡 𝗖𝘆𝗯𝗲𝗿𝗻𝗲𝘁𝗶𝗸✨ Cybernetik channel: https://www.youtube.com/channel/UCMOdD6stmR40Olz4fHUxG0w/ Don’t forget to subscribe! 🍁 𝗔𝗕𝗢𝗨𝗧 𝗖𝘆𝗯𝗲𝗿𝗻𝗲𝘁𝗶𝗸 🍁 Cybernetik is a leading Indian industrial automation solutions provider. We design, build and install state-of-the-art turnkey systems to help manufacturing companies increase their productivity and ensure consistent product quality. 📌𝗖𝘆𝗯𝗲𝗿𝗻𝗲𝘁𝗶𝗸 𝗢𝗧𝗛𝗘𝗥 𝗩𝗜𝗗𝗘𝗢𝗦 🎥 ➟Cybernetik's Axial Extruder 🔗https://youtu.be/qcNbPDR5KOo ➟Cybernetik's Liquid Canister Filler 🔗https://youtu.be/hyfLQm-uLqE ➟Cybernetik's Big Bag Conditioner System 🔗https://youtu.be/6kscgq5c_LE ➟Cybernetik's Sterilizer Cooler | innovation technology | Cybernetik 🔗https://youtu.be/l1db6gXIzkQ 𝐅𝐈𝐍𝐃 𝐔𝐒 𝐀𝐓🔍 https://www.cybernetik.com/ ✅𝐆𝐄𝐓 𝐈𝐍 𝐓𝐎𝐔𝐂𝐇 📧 Contact us at sales.automation@cybernetik.com 💌𝗟𝗘𝗧'𝗦 𝗦𝗧𝗔𝗬 𝗜𝗡 𝗧𝗢𝗨𝗖𝗛 💌 Get updates or reach out to Get updates on our Social Media Profiles! ➟linkedin: 🔗https://www.linkedin.com/company/cybernetik-technologies-p.-ltd. ➟Facebook: 🔗https://www.facebook.com/cybernetiktechnologies ➟Instagram: 🔗https://www.instagram.com/cybernetik.technologies/ #industrialautomation #technology #robotics #automation 𝗥𝗲𝗹𝗮𝘁𝗲𝗱 𝗦𝗲𝗮𝗿𝗰𝗵𝗲𝘀: cybernetik manufactures robotic automation pick and place machine industrial automation solutions robotics for beginners process group machine

Automazione Oggi ha intervistato durante Automation Fair 2015 (Chicago) Glauco Mosca Moschini e Massimiliano Vaccari di Robopac Sistemi-Aetna Group

Video games can transport players into ethereal experiences, create unique communities and become a medium for interactive and experimental art. Join game designer and curator Chad Toprak (Freeplay), experimental games designers Michael Samyn and Auriea Harvey (Tale of Tales) and cultural curator Zuraida Buter (Zo-ii) for a deep dive into beautiful, wonderous and experiential game worlds. About the Speakers Auriea Harvey and Michael Samyn (Tale of Tales) Auriea Harvey (1971, USA) and Michaël Samyn (1968, Belgium) met online in 1999 and collaborated for several years as Entropy8Zuper! creating sensuous, personal and political web-based artworks like Skinonskinonskin (1999) and The Godlove Museum (1999-2006) and Wirefire (1999-2003) and designing websites for various clients. In 2002 they founded independent development studio Tale of Tales with the purpose of exploring the artistic potential of video games. Between 2002 and 2015, Harvey and Samyn released 8 video games: The Endless Forest (2005), The Graveyard (2008), The Path (2009), Fatale (2009), Vanitas (2010), Bientôt l’été (2012), Luxuria Superbia (2013) and Sunset (2015). All unique explorations of the potential of the medium used by video games, often winning awards for originality while being attacked for non-conformism. The couple have now stopped producing commercial titles to focus on virtual reality and artistic uses of computer technology with new projects like Cathedral-in-the-Clouds (2015-) and Cricoterie (2017-). They live and work in Ghent, Belgium. Chad Toprak (Freeplay) Chad Toprak is an independent game designer, curator, academic, and current director of Freeplay, Australia's longest-running and largest independent games festival. He is best known for his curatorial work with Hovergarden, Melbourne’s video game curatorial duo, and his more recent work on Contours, an annual exhibition that highlights emerging contemporary Australian games that sit at the fringes of the medium. In the past, Chad has worked on award-winning games such as Turnover, the four-player multigravity steal-the-ball-n-run frenzy, Cart-Load-O-Fun, a two-player collaborative physical game designed for trains and trams, dualcyon, the experimental Leap Motion & VR puzzle game for two, and This Is Not A VR Game, an audio-only VR performance. Zuraida Buter (Zo-ii) Zuraida Buter is a playful culture curator based in the Netherlands. She curates, initiates, consults and documents events focused on playful culture and games. Her work revolves around bringing people together for creation, inspiration and playfulness. She runs playful culture organisation zo-ii where she has curated projects such as Incubate Arcade and Screenshake Game Expo, showcasing a wide range of different game projects and artists throughout the years. She’s also run several local game jams such as Molyjam, Playful Jam and a Beach Jam. She is co-founder of Playful Arts Festival in the Netherlands, which explores the intersection of interactive performing arts, visual art and playful design. Previously she initiated Dutch indie game showcase INDIGO in the Netherlands as project manager at Dutch Game Garden. She was worldwide Executive Director of the Global Game Jam until 2014 and founding board member of Global Game Jam, Inc. In the past she has been a lecturer at different universities. For 8 years she taught game design and media theory at Interactive Performance Design at the HKU University of the Arts. In 2013 she received the European Women in Games Award for Achievement and Innovation.

Cleverman stormed onto ABC TV in 2016 as a dystopian sci-fi with a difference. With predominantly Indigenous cast and senior crew, the series explores a series of Aboriginal origin stories in a contemporary context, with political nuance touching on themes of class, racism and power. Exploring First Nations storytelling, language and creativity in production design, costumes and props, this free exhibition invites you to listen-first and immerse yourself in a powerful and contemporary expression of origin stories. The exhibition explores the making of Cleverman, including props, costumes and make-up from the series, designs by Weta Workshop and artwork from the original comic book series. This exhibition has been curated by ACMI and co-curated by Cleverman concept creator Ryan Griffen and Cleverman production designer Jacob Nash. Link to my other videos : https://www.youtube.com/c/AnupKabraVlogs Please Subscribe to my YouTube channel to get useful content. Also follow me at: Facebook : https://www.facebook.com/anupkabravlogs/ Instagram : https://www.instagram.com/anupkabravl... Blogger : http://anupkabra.blogspot.in/

LARP as art form, expressive arts, community platform for social change, multi literacy methods.

With each technological advancement, from early documentaries to social issue games and immersive VR, we've heard the promise of being able to step into alternate perspectives, to feel and share and experience a more complex type of understanding. But are these supposed "empathy machines" distancing us from true empathy and closer to voyeurism? In this talk we interrogate the ethics, assumptions and privileges associated with technological storytelling. Hosted by Santilla Chingaipe with Dr Fincina Hopgood, Brett Leavy and Amani Naseem

Interactive digital narratives, fully-immersive VR, open source gaming, robots writing novels – what does the future of storytelling look like? What do emerging technological advances mean for writers and artists creating work in the digital era? Four artists at the forefront of innovation in digital storytelling kicked off Digital Writers' Festival 2017 with a discussion about the impact of interactive digital narratives, virtual reality, geolocated narratives and more in conversation with artistic director Izzy Roberts-Orr. Copyright acknowledgements: Clips Played Title: Door Into the Dark Trailer Copyright: Anagram Link played: https://vimeo.com/97591942 More info: http://weareanagram.co.uk/project/door-into-the-dark/ Title: The Gardens Between Copyright: TheVoxelAgents Link played: https://www.youtube.com/watch?v=OmBXEGmQ_og More info: http://thegardensbetween.com/ Title: The Gardens Between ~ Slow Trailer TEASER Copyright: TheVoxelAgents Link played: https://www.youtube.com/watch?v=Z_AaniqoqfEMore info: http://thegardensbetween.com/ Title: Way From Home Copyright: Misha Myers Link played: N/A More info: http://profiles.arts.monash.edu.au/misha-myers/biography/ Title: Magic in Modern London: iPhone App Trailer Copyright: Amblr Link played: https://www.youtube.com/watch?v=7RJ77Q-uiKw More info: https://itunes.apple.com/gb/app/magic-in-modern-london/id555328123 Title: The Turning Forest Making Of Copyright: Vrtov Link played: https://www.youtube.com/watch?v=M6C3TBSqMTw More info: http://vrtov.com/projects/turning-forest/ Title: IS JAPAN COOL? DOU - 道 Copyright: ANA Link Played: https://www.youtube.com/watch?v=DLHukYrVi8M More info: https://www.ana-cooljapan.com/contents/dou/ Reading List referenced / not played Title: Our Friends Electric (excerpt) Copyright: Superflux and Mozilla Link: https://www.youtube.com/watch?v=PsjunTAH-2A More info: http://superflux.in/index.php/work/friends-electric/# Title: Her Story Trailer Copyright: Sam Barlow Link: https://www.youtube.com/watch?v=gaHw97l7-Lc More info: http://www.herstorygame.com/ Title: The story of Replika, the AI app that becomes you Copyright: Replika by Luka inc Link: https://www.youtube.com/watch?v=yQGqMVuAk04 More info: https://replika.ai/ Title: A message from Karen | Blast Theory Copyright: Blast Theory Link: https://www.youtube.com/watch?v=Aqa2gTj2uYI// More info: https: www.blasttheory.co.uk/projects/karen/

This reconciliation week, Leila Gurruwiwi, Uncle Bruce Pascoe, Tracey Rigney and Crystal McKinnon discuss decolonising the Australian film industry and the portrayal and representations of First Nations people on screen. This event has been co-produced by Tony Briggs and Damienne Pradier for Typecast Entertainment. https://www.acmi.net.au/events/reconciliation-week/

From a loss of culture to displacement and murder. What happens when big cities change? In conjunction with the experimental documentary The Beehive, join host Chelsey O’Brien in conversation with The Beehive artist Zanny Begg, video artist Jessie Scott and urban policy officer Timmah Ball as they discuss contemporary Australian moving image work around themes of gentrification, affordable housing and community displacement.

Led by a fourteen-member steering committee of African leaders, CEOs, and carbon credit experts, the Africa Carbon Markets Initiative (ACMI) aims to dramatically expand Africa’s participation in voluntary carbon markets. ACMI launched at COP27 in collaboration with The Global Energy Alliance for People and Planet, Sustainable Energy for All, the UN Climate Change High Level Champions and the UN Economic Commission for Africa. #cop27 #RaceToZero #RaceToResilience

As machines are learning to write, compose, paint and perform all manner of artistic endeavours we have to ask the question, is it art? There is no doubt that machines create beautiful things but can we ascribe ‘creativity’, an intrinsically human quality, to its process and production? To launch the Digital Writers' Festival 2018, join artists and technologists who are at the fore of creatively collaborating with machines as we explore their projects, processes and thoughts on their collaborators. This event will be Auslan-interpreted.

From the Marvel and DC cinematic universes to small screen caped-crusaders and vigilantes, superheroes are more popular than ever. But how do superheroes reflect our place and power within society? Whether it’s symbolic representations of asylum seekers and First Nations people on Cleverman, Jessica Jones battling PTSD or The Watchmen exploring the moral ambiguity of individuals with tremendous power, superheroes have the power (dare we say great responsibility?) to tell nuanced, reflective and universal stories. Join us to discuss how our heroic representations hold a mirror up to contemporary views on ethics, justice and equality. About the panel Martyn Pedler Martyn Pedler is a writer and academic who focuses on superhero stories. He's published chapters and presented internationally on subjects like how the Flash runs in a medium without movement and why Doctor Doom cried after 9/11. He's also been a longtime pop culture critic for Bookslut, Time Out Melbourne, Triple J Magazine and more. He is the writer of the 2012 feature film EXIT, and has several other screenplays in development. Dr Liam Burke Dr Liam Burke is the Cinema and Screen Studies coordinator at Swinburne University of Technology. He has written and edited a number of books on comic books and cinema including Superhero Movies, Fan Phenomena Batman, and The Comic Book Film Adaptation: Exploring Modern Hollywood’s Leading Genre. Liam is a chief investigator on the Superheroes & Me research project with ACMI. He recently directed the documentary short film @HOME, which was screened at a number of international film festivals and was broadcast on Irish television. Brooke Maggs Brooke Maggs is a freelance narrative designer and writer for games, VR and other creative industries. She one of the women featured in ACMI's Code Breaker's exhibition where you can play one of her latest projects, The Gardens Between, an adventure puzzle game.Recently, she received the 2017 MCV Pacific XBOX Women in Games Creative Impact award for her work in the games industry. Brooke is writing a science fiction novel for which she was shortlisted for the Ray Koppe Writer’s Residency and awarded a residency at the Varuna House. Her other writing includes academic research in creative writing practice. Copyright Acknowledgments: Title: The Avengers (2012) Copyright: Marvel Studios / Walt Disney Production Company Title: Spiderman (2002) Copyright: Marvel Enterprises / Columbia Pictures Title: Superman (1978) Copyright: Warner Bros Title: Man of Steel (2013) Copyright: DC Entertainment / Warner Bros Pictures Title: Daredevil Season 1 Episode 2 Copyright: Marvel Television / Netflix Title: Cleverman Season 1 Episode 2 Copyright: Sundance Studios / ABC TV Title: Superman Returns (2006) Copyright: Legendary Pictures / DC Comics / Warner Bros Pictures

There are innumerable theories of Alice, Wonderland and the characters she meets along the way. Was Lewis Carroll inspired by hallucinogens? Reacting to new maths standards? Or having a personal identity crisis? Perhaps the way we see the text tells us as much as our ourselves as it does about the enigmatic author. Join us for a lively dissection of the text's myriad meanings with science communicator Stephanie Pradier, psychedelic VR artist Roger Essig and psychologist Professor Nick Haslam, hosted by author and critic Mel Campbell.

Did you know that twenty percent of Australians live with disability? You probably wouldn't guess that from our media. But things are gradually improving. In 2018, more people with disability and appearance diversity are writing and starring in TV and film, influencing on social media and getting opportunities as brand ambassadors. Young people today have a much greater chance of seeing themselves represented, knowing what's possible. We talk with a representation of people with disability on screens and behind the scenes, and why it's vital to give us a place at the table.

On Wednesday 22 February 2023 the Digital energy Futures team presented the Scenarios for Future Living 2030/2050 at the Australian Centre for the Moving Image (ACMI), alongside a panel that focussed on energy futures, forecasting, and emerging tech; led by national and international experts. Speakers included; Professor Ariel Liebman, Director of the Monash Energy Institute; Professor Yolande Strengers; Dr Kari Dahlgren; Dr Fareed Kaviani. Panellists included; Professor Ron Ben-David (Monash Business School); Melissa Gregg (Intel); Professor Ben Sovacool (Boston University, Sussex University, Aarhus University); Professor Yolande Strengers (Monash University).

This talk celebrated International Women’s Day with local filmmakers telling powerful and revealing stories. Filmmakers Sari Braithwaite, Chloe Brugale and Santilla Chingaipe were in conversation with Eloise Ross about their craft and processes, key collaborations and career pathways. About the speakers Santilla Chingaipe is an award-winning journalist and documentary filmmaker. She spent nearly a decade working for SBS World News which saw her report from across Africa and interview some of the continent's most prominent leaders. Her work explores cultural identities, contemporary migration and politics. Last year she presented a one-off documentary for SBS, Date My Race. Santilla is currently directing and writing documentary on the complexities of Australia’s South Sudanese community. Her latest film, Black As Me, is a short documentary exploring the perception of beauty and race in Australia. She writes regularly for The Saturday Paper. Chloe Brugale is a screen practitioner with more than fifteen years' experience working across drama and factual productions, distribution, events and festival programming. As the General Manager of Robert Connolly’s company, Arenamedia, Chloe has contributed to many culturally and artistically innovative features, including The Turning, Spear and the box office hit Paper Planes. She also oversaw the successful release campaign of the documentary Chasing Asylum. Chloe’s producer credits include [CENSORED], an experimental documentary by director Sari Braithwaite, and Black As Me, a short film by director Santilla Chingaipe. Prior to Arenamedia, Chloe held positions at the Melbourne International Film Festival as Next Gen and Short Films programmer, the education department of the Cannes Film Festival and the avant-garde Utopia Cinemas in Avignon, France. Sari Braithwaite is a filmmaker who works across the disciplines of history and film. Her documentary films have played at MIFF, SFF, Adelaide Film Festival, Canberra Film Festival, Antenna Film Festival, and BFI London. She was a recipient of the 2015 AFTRS Creative Fellowship to create an experimental work about Australian censorship. In addition to her own practice, Sari has also worked as a professional researcher on a wide variety of film and television documentaries, and continues to work in universities as a researcher. Eloise Ross (host) is a writer, critic, and lecturer with a range of experience working with Melbourne film culture, both in organisational roles and as a qualified speaker. She has a PhD in cinema studies from La Trobe University and her research specialises in sound studies, Hollywood history, and the phenomenological experience of the cinema. Eloise has been widely published as a film critic, cultural commentator, and academic. She is a co-curator of the Melbourne Cinémathèque, currently teaches in the film department at Swinburne University, is co-host of the Senses of Cinema podcast.

From the surface of the sun to the depths of the prehistoric seas and the earth's orbit, VR continues to open portals onto worlds we could never physically inhabit. What potential does this technology hold for expanding the realms of human experience? Erth's Scott Wright (Prehistoric VR), artist Jessie Hughes (Soul Of Sol – La Palma) and astrophysicist Professor Alan Duffy (Swinburne Uni) discussed art, tech and science in their latest VR works. Copyright acknowledgements: Clips Played Title: Mars 2030 Copyright: Mars 2030 was created by FUSION in collaboration with NASA and is powered by Nvidia GeForce Link played: https://www.youtube.com/watch?v=prpQB0nlRV8 Purchase / Experience: http://store.steampowered.com/app/510850/Mars_2030/ Title: the Blu: Whale Encounter | 3D 360 VR Copyright: Transport Wevr Link played: https://www.youtube.com/watch?v=hUpkVa4UkMg Purchase / Experience: https://www.transportvr.com/theblu-series Title: Tree VR – Seedling Copyright: Rainforest Alliance Link played: https://www.youtube.com/watch?v=ERffRXjTAqM Purchase / Experience: https://www.treeofficial.com/ Title: Soul of Sol | Inspiration | NASA | Thermonuclear Art – The Sun In Ultra-HD (4K) Copyright: NASA's Goddard Space Flight Center Link played: https://vimeo.com/167370549 Title: Soul of Sol | La Palma Copyright: Jessie Hughes Link played: https://vimeo.com/167207800 Title: Soul of Sol | Artist Residency Copyright: Jessie Hughes Link played: https://vimeo.com/167368978 Images Shown Prehistoric VR, Erth http://erth.com.au/ Sci VR,http://www.scivr.com.au/